Poetry, found in newspapers, inspired by that day you slept in the tent in my living room, given to us by the sky and the bricks and dad's windchimes.
You're lovely. Questions are welcome.
September 3, 2011
my heart is introduced into the cavern of the soul,
fire sounding on all sides; sweet breath, this life so youthful, glorious green.
A hot, wet day hangs overhead. Streets yawn and steam. The blue sky is a naked yell, wide, far. Bernie sends waves of gooseflesh down my back, touching the middle of my spine lightly. He’s smiling at me with we’re gonna make it don’t you worry eyes. His blue irises are hooded like half-drunk moons, mouth creased in a smile, lines in his face deep like a river-veined countryside. Kentucky, my mother said, would be better than California. Kentucky, she said, would be real.
It is about noon, and I haven’t found the real yet. The swollen pollen-smear of spring lurches from magnolias, the flowers intoxicated and leaning heavy. Happy looking people ooze around town. I imagine they live on a molasses and schnapps diet, not including afternoon tea. Bernie holds all of my bags, some of them balanced on his shoulders. He won’t let me touch the bags. “Boy job!” He grins, loping on.
Bernie was an accountant for a long time, he tells me. He was dern swell at it. But he hated it, and so he opened up a bakery on Happy street, which he thinks is just his luck. “We’ve got some real nice cupcakes over there! They’ll make you fall in love with the next person you see!” My eyebrows raise into the skeptical region of my forehead, and he looks down to the hot sidewalk somewhat, grins that wide grin, and keeps loping: “It’s happened twice!” He’s sweet, carrying all of those bags.
For a time I considered marrying Bernie. He has a stable smile, and a wide step. He has no ex-wives, or ex-kids. And he thinks I’m city folk, which kind of gives me an advantage in my book. But I’m always wary of my considerations: they tend to lead me into unfixable, incurable announcements. I didn’t think on it a long time: about 30 minutes.
“45B3!” Bernie shouts, breathless. I tear my gaze away from a little girl across the street – who is popping balloons with her feet – and look to my right. A tall, lanky building with skinny windows and an arched doorway. It’s squeezed between the thighs of the neighboring office buildings.
“Oh, this is it?” I suck my lower lip. I look around. Girl popping balloons, slight breeze kicking up dust, a car yawning by. “It’s red.”
“Oh it’s real red, darlin’” He shrugs the bags off of his shoulders and places them on the stairs. “It’s the reddest red in town!” Real red. I guess I had never seen it before. Oh yes, of course there’s red here and there in life, like in cherry wood and in fabric dyes. But, real red. I kind of cluck my tongue in the back of my throat and put my hands on my hips. Round here we think it must come from the living people do in it, Bernie puffs, putting his hand on a cement banister to lean. People living red lives making the red the reddest it could possibly be. It seems plausible enough. I’m pretty sure I think things into existence half of the time anyway.
The life I will be leading, living in the reddest red building in this riverside town, I reason will end up red. Every day leaving the gold-red walls behind, every evening returning to their shaded purple-red. I’ll be red with coffee, red with new faces, red with vittles, red with the supremecy of the newness of a city lorded over me. Red with newness like a thin-skinned baby. Red with just Bernie around at the bakery to keep me sane. Red with fear, which I will shade a rosy coolness by looking silently apathetic. Red with business as usual, and monotony, and wide-sky hot days. Red with life, and by that I mean I’m gonna take all of life and shake the drops of goodness out of it until I’m full up and it’s gonna be a wild ride even if I have to make it that way. Red with hope, and dreams, and just trying to find something real. Even if it’s just real red.
“You’re gonna be purple with pleasure when you have Kentucky blackberries!” Bernie giggles, carrying the bags up the stairs. “We just got a shipment, and you’re gonna blow your top!” Sweet Bernie. I think I’ll marry him.
You go on a mystic quest. Now, this term is controversial according to both philosophers and theologians. They argue with you about its meaning and its reality. They call it flippant. It is an overstatement. It is an understatement. Thisandsuch philosophers define it, and contain it, and explain it as perhaps a) a personal journey — and that’s all, b) a search for purpose in community while in a liminal reality, c) a solely internal journey in which one experiences purgation of the self, illumination of the true reality, and union with the absolute. But you do not care. You go on one anyway.
You fly to a different country. You are American so you can’t actually speak anything but English. If you do speak another language, you sort of only half know it, or one or both of your parents was European/Latino. That’s pretty lucky. You can be whatever you want. It’s quite helpful to speak another language. But, if you want to be authentic to American culture, consider knowing only English.
You land in Madrid or Luzerne or Rome. If you are adventurous, you land in Rishikesh. You sling your backpack over your shoulder, filled with some clothes, a toothbrush, and energy bars. You have a map stuck in a side-pocket. You take a bus to your start destination. You observe the misty/dusty/unpopulated/trash-laden country-side. You hear pop-music on the radio. It is American pop-music.
You start in the mountains, walk over the mountains, meet a stranger with a kind smile or a stranger with a long beard and you talk about how hard it is to get up a mountain even though you don’t both speak English. Or, he/she does speak English. If it is a woman, consider losing the beard. If it is a man, make it a magically long beard that he tucks into his shorts.
Make it up the mountain. Day 1 of the journey. The stranger shakes your hand, and disappears into a crowd at the mountain-top inn. You order a croissant or a sweet and a coffee. You munch or nibble or pick. You rest, or read. You walk on.
Through mountains and valleys, forests, gardens, hot paved cities, trash-heaps, festivals, crowds of people, empty space you walk silently. Except for the talks alongside strangers with kind smiles, long beards, all is stillness. You eat alone at restaurants. Yogurt, little bottles of Coke, a cigarette. Sometimes you eat with someone new. You have met them along the way. You are always hungry. If you walk your pilgrimage by foot – the longest way, but arguably the most interesting – you can choose to walk four hours a day or eight hours a day. You will never stop being hungry, either way. Wake up with the sunrise and it’s sure that you’ll land a spot in a hostel or host-home on the way. Wake up later, and consider walking very fast all day, booking a hotel, or sleeping in a field. If you’re in Rishikesh, good luck.
You can choose to eat at big places with expensive menus, or you can pick up stuff at the store. Consider sharing a big salad with the young Dannish boy who seems to know everything about the world.
Sometimes you walk for days with a new person, eat with them, talk with them or gesticulate at them in a rather silly manner to tell whatever story you want to share. Consider telling a story about the way girls act in America, or about what breakfast is like there. If you don’t like to tell stories, listen to the stories of others, or simply bask in the stillness of another person’s presence. You will find that silence is all around you, always.
Sometimes you part ways with the other pilgrims. Sometimes you fall in love with one of those strangers, carry them with you. But this is not necessary. In fact, sometimes you don’t fall in love with any specific person. Sometimes you fall in love with the landscape – green and wet and cold, hot and dry and colored in a thousand folds of blue/green/pink, rustic or falling to pieces or carefully tended. You fall in love with the bustling, busty, fat ladies walking through the towns and with the little kids kicking soccer balls along grimy city streets and you fall in love with the bakery that sells nothing but pounds of cookies made with lavender, rosemary, lemon. Maybe you just fall in love with the cookies. Consider the possibility of becoming a baker when you get home. Also, consider the possibility of never coming home.
The cities are full of moving people, but people who look past you like you are just part of the brick and mortar. This is true of all cities. City-people aren’t on the journey with you. They can’t even see you. Towns are different. But cities are awful in this same way. Grime and gray. Cities loud, pointed, silver knives. They cut the path sharp. And they’re no good for the knees. Concrete is awful for the joints. You ache through the cities, and ache after. But there are always beautiful lights in cities, and funny coincidences. Keep an eye out for them, and for familiar faces.
Three weeks into this pilgrimage, and consider converting to Catholicism/Hinduism/Buddhism. Consider becoming an atheist. Consider nature worship. There are a lot of good herbalist schools in America, a nice local tells you. And many here, he drops in passing. You grew up in Catholicism/Hinduism/Buddhism/Atheism/Nature Worship, and are so disillusioned with the downloaded tradition. You are young and your parents’ way of thinking is is so over. You are old, so your generation’s way of thinking is so outdated. You can be either one, but it’s all the same. Something of that old connection remains, however. If you convert change your name to John-Paul/Indra/Mahatma. When you get home, you can explain to your mother why you are going by this new name, and she will be confused but will still love you no matter what. Mom’s are pretty great that way. But don’t tell her about the tattoo.
As you walk, perhaps notice the tracks you lay and the empty road before you, walked a thousand times. Whatever your name is, your only purpose in life is to create tracks that will be washed away and to move forward into the infinitely washed path. You are on a mystic quest, and (you realize it now) you never needed to leave America. It’s as if the path is all one path, whether it’s from the mailbox to the front door or from Dublin to Florence. Plod plod plod. You ask yourself if you are even going anywhere. You should decide that soon. Only you can figure that out, as you walk, though. The great pie in the sky, some sort of religious union with the path of love/the path of light/the path of work/the path of delight is just coming to know that all of it is born, lives, and passes away. There is no turmoil, just action. You have embarked on a journey that we all make in our hearts. But, ah, joy. Come to know that you cannot know a single thing, and judge nothing, and walk on. For that is your way, pilgrim.
Week five. Reach the destination. Wide eyes, open heart, body strong and feet patched for blisters. You are thinner, and older, and know a little bit more of the native language. You make offerings to the holy city’s great temple, great rock, or great spaghetti monster. You chant, dance, sing, or fold your body into silent prayer. You know nothing, have learned that at least. You order a croissant/sweet and a coffee. You gesticulate to the first bearded stranger you met on the journey, who here wears your same mind-bust-wide-open smile. You nod at each other, see each other in each others eyes, and recognize the happy futility of it all. You cry some, and laugh a lot more than that.
You board a plane, return home, and open your mouth to tell the story: the whole things pours out like sand. Consider that at home, they cannot understand.
Mary meets Les. Mary is a nice girl with a nice family who she hates. Les is a nice boy from divorced parents who he loves. Mary dislikes Les when, at the party, he stares at her from across the room. Creep she thinks, and ignores him. Lover, he thinks, heart ballooning. Mary is unimpressed by Les’s advances. Les finds Mary engaging and attractive. Mary avoids looking at Les in the face. Mary avoids parties that she hears Les will attend.
Les is a skeletally attractive young man. He loves words, and he loves to laugh in people’s faces. He enjoys board-games, and riddles. Mary likes the beach and straw-hats and romance novels. Mary, running across campus one day, crosses Les’s path. She does not see him. But Les sees Mary on campus, and falls deeply in love with her.
Mary goes to a party an acquaintance is throwing. Les is there. Mary pretends Les does not exist. No one exists to Les but Mary. Pushing through crowds to speak simple and mundane words at Mary, Les floats on his feeling. Les has an intuition about Mary. Lover he thinks, again. Creep.
Mary agrees to meet Les at a park. She packs a picnic. Mary is a thoughtful person. Les does not show up. Mary cries. Mary wanders around the park for hours. Her phone has died. She feels alone. Mary sits on a bench, and eats a sandwich. Les comes upon her. Mary’s tears have dried into surprise. She offers him an apple. Mary and Les talk. They write poems. They draw pencil portraits of each other. Mary takes Les home with her and sleeps with him.
Mary falls in love with Les. Les and Mary float on each other’s air. Les and Mary talk about their fears and doubts, about how Mary hates her parents, about how Les loves his family but doesn’t understand them. Les and Mary make love over and over. Les and Mary are in love.
Les and Mary talk about babies. They talk about traveling and Mary’s dreams. Les’s only dream is Mary. Mary dreams of the world when she sleeps. Mary dreams of love when she wakes.
Mary and Les move in together. I don’t understand love, says Mary to Les after sex. Les looks into Mary’s eyes and says she has it. Mary looks out of the window.
Les gets depressed and bored and selfish. This happens to him more and more. Les designs board-games and plays board-games. Les sleeps all day. Les gets a job as a pizza delivery guy. Les smokes pot.
Mary makes friends with restaurant owners. At night Mary drinks dark wine and makes eyes at older men. Les suspects nothing.
Les pays attention to Mary when she is near. Les finds Mary’s presence intoxicating. Les collects the details of their life: the drawings, the letters, the travel-fund coin bottle. He keeps them in a box beneath his bed. She is with him all the time that way. Les thinks only of Mary. When he is not reading advanced, plot-driven novels or playing RISK she is in his mind. Les loves Mary. Les tells Mary he loves her. Les sleeps all day.
Mary meets Lake. Lake manages a fine-dining restaurant. Lake is an expert in California wines. Lake is lonely, drinks coffee on Sundays, works out. Mary finds Lake fascinating. Lake is an attractive, muscular, older man. Lake is warm, and likes people. Lake is neurotic, but only in private. Lake finds Mary invigorating, sexy, dreamy. Mary goes home to Les at night, and dreams about Lake.
Mary sleeps with Lake. Repeatedly. Lake has been burned before, he tells Mary. Burnt out. Mary sensed this over their first dark wine. Mary constructs the façade of careful emotional distance. Mary insists that they are just friends. Lake does not want to be friends. Lover, he thinks. He introduces her to his friends, who love her. Lake is good to Mary, and they look deeply into each others eyes.
Mary keeps sleeping with Lake. Mary keeps sleeping with Les. Mary smiles with Lake. Mary smiles with Les. Mary loves neither. Mary loves both.
Mary wants a lot of things. Mary dreams of love when she sleeps. Mary dreams of the world when she wakes. Mary tells Les of Lake at the park where she cried.
Lake has always known about Les. This is not a problem. Lake asks Mary to move with him to Berkeley. Mary picks out an apartment. Mary picks out a kitten. The kitten is orange with brown stripes. Les is broken, and sleeps for a week. She leaves the kitten with Les. The kitten lessens the ache. Mary moves far away. Lover, Les dreams, and catches himself. The kitten grumbles purrs, has eyes like hers. Les gives the cat to his new girlfriend, who loves chess and kissing at midnight. Maggie, he croons, lover.
Just on a personal note: It feels like a lucky shattering into a cloud of water, and a raining down fast falling, that I happen to be so utterly enveloped and enveloping in love. I realized today I want to be around this other human being, always — see and smell and taste and touch, vibrate with his vibrant presence. So, yes, personal post i.e. this is non-fiction. And, oh, he’s my honeypot, and oh what a vibrating speaker of light, and OH man oh man he’s it.
Namaste, from a clear space in me to a luminous center in you.
Salt sticks to her fingers. Or is that sugar? Intoxicating nights. The mariachi band was actually good to listen to. The sidewalk outside of the bar is warm against skin, even though it’s dark and melty out there. The world is a cold popsicle melting along the tongue of this deliciously warm darkness. She leans back, slips a little from where she’s sitting along the curb. She wears tangerine and lime green, sparkling pins in loose brown hair, big brown wedge heels splayed out in front of her along the styx-dark street. She can smell salt-water, and also the mud of the bay.
There is no one left around. And she didn’t actually get drunk at the bar. Hanna’s lover has fallen asleep on a white beach-chair at the party down the street – where she came from. The streetlights hang like melons. The soft grass she touches between the pads of cement sidewalk is a great Fat Tuesday vermillion.
4 am, where we become the darkness that we peach out into, Hanna knows she has found something great.
A clear night sky, warm enough to go sleeveless. There is this soft “oh” and a sigh. Her mouth is open. She surprises herself because she’s the only one there, and she didn’t think she had said anything. But, then again, it was less a phrase than a note, a bit of music. She shivers, pink as a peach, tan as a coconut. And this warm feeling of being loved. Something great.
Maybe that’s just the rum seeping into veins. But then again, maybe, Hanna thinks (slowly) I am remembering what this is, and this whole thing, this life thing, is a long long beautiful awful cerulean dream. She is waking up at 4 in the morning after hopping party to bar to warm bar and maybe that pulse in her wrist that says “watch the sun-rise, don’t just think about watching the sunrise” pulses a little harder and makes her stumble towards the sandy beach just down the (Wow! That’s a long wobbly way!) road.
And maybe she remembers that the water is warm in April — once she gets there — and that she can feel how gritty and forever-fine sand is even when she’s a bit… off. Maybe she remembers that April is just the name for a season, and the season is itself something different – bright and wet and giving birth to the flowers and the good times. And maybe it starts misting a bit from some clouds overhead – that’s when it gets to 5 in the morning. And maybe the blue of the night she saw fuzz out around the streetlights is still bright, and the ocean evolves an orange lapel. And maybe she feels like she never knew what a morning was until that moment, as the night-time peels away from her, jaded, and slinks out and away to some day-sleeper in one of the expensive rental houses.
Something great she thinks, sitting on the hard&soft sand, the sunrise loving her. Finally waking up.
Clouds rolling away like fat fruits – yellow pears, smiling pink melons. A puff of wind. Her hair. Curls. Long dirty dark curls. A slipping into the sharpness of morning tempered by her velvet, perfecting eyes, eyes that dull acidic angles and file round the heightening brightness. There is a moment where she remembers the strong hands of her lover along her back, holding her in the last kiss before he passed out on that beach chair (forever ago…) with a laugh and “Oh darling I hope this is worth it in the morning….” And now? Honeypot, if only you could see this sunrise. It’s the only thing worth it.
The rum wears off. It is less a gradual lift from misty-eyed to blurry-eyed to bright-eyed as it is a splash into sobriety. Hanna blinks. Trash on the beach: a can, a cigarette butt, the caps from one of those dumb Styrofoam picnic-baskets you buy for a buck. She fiddles with the edge of her dress, ticking her fingers along a line of lime sequins. Her stomach waxes to sharpness. A hunger, distracting, and the acid in the lower part of the throat. The beach is suddenly a giant, heavy sugarbowl and she a speck of darkness in the bright white granules. Oh honeypot, what a very hot moment. She puts her hands on her soft face, pushes the firm muscles under skin around like play-dough, God, why am I here?
Hanna stands up, brushes herself off – sand falls fluid like chainmail. She mumbles down the beach to the public exit, marked by a tall wooden post (white sign dotted in slashed-through red circles and various “do not” thises and thats). She stands and looks at the thing, sticks hands in tangly hair looking awkward with one foot half-in her wedge heel and the other lodged in a dune. She grasps some sea grass to pull herself out, tramps up the sand-dune looking like a big miffed baby. She looks tiredly back once more, wonders if she smells like rum, turns,and exits the great sugarbowl awakening without a thought for dreams or existing. I could go for bacon.